Pedro Pablo Lucas Bravo

• Lucas Bravo, Pedro Pablo & Glette, Kyrre (2023). Human-Swarm Interactive Music Systems: Design, Algorithms, Technologies, and Evaluation. I Kitahara, Tetsuro; Aramaki, Mitsuko; Kronland-Martinet, Richard & Ystad, Sølvi (Red.), Proceedings of the 16th International Symposium on Computer Music Multidisciplinary Research. Zenodo. ISSN 979-10-97498-04-7. s. 347–358. doi: https:/doi.org/10.5281/zenodo.10113081. Vis sammendrag

  This paper presents considerations for developing Human-Swarm Interactive Music Systems (IMS), based on previous work in the field. We discuss design principles, algorithms, technologies, and evaluation methods for creating user-centered Human-Swarm IMSs using architectural ap­proaches, swarm strategies, and levels of embodiment in implementation. Our contribution aims to establish a framework for future applications and research studies on swarm-based music platforms.

• Lucas Bravo, Pedro Pablo & Fasciani, Stefano (2023). A Human-Agents Music Performance System in an Extended Reality Environment. I Ortiz, Miguel & Marquez-Borbon, Adnan (Red.), Proceedings of the International Conference on New Interfaces for Musical Expression. Universidad Autónoma Metropolitana. ISSN 2220-4792. Fulltekst i vitenarkiv
• Lucas Bravo, Pedro Pablo & Peláez, Enrique (2019). A Granular Synthesis Strategy Based on Musical Harmony Theory Through a Fuzzy Logic Approach. IEEE Xplore Digital Library. doi: 10.1109/LA-CCI47412.2019.9036760.
• Lucas Bravo, Pedro Pablo (2019). A MIDI Controller Mapper for the Built-in Audio Mixer in the Unity Game Engine. Proceedings of the International Conference on New Interfaces for Musical Expression. ISSN 2220-4792. doi: 10.5281/zenodo.3673009.
• Lucas Bravo, Pedro Pablo (2019). AuSynthAR: A simple low-cost modular synthesizer based on Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. ISSN 2220-4792. doi: 10.5281/zenodo.3673011.
• Lucas Bravo, Pedro Pablo; Loayza, Kleber & Peláez, Enrique (2018). A Distributed Control of Movements and Fuzzy Logic-Based Task Allocation for a Swarm of Autonomous Agents. IEEE Xplore Digital Library. doi: 10.1109/FUZZ-IEEE.2018.8491460.
• Lucas Bravo, Pedro Pablo; Vaca, David; Domínguez, Federico & Ochoa, Xavier (2018). Virtual Circuits: An Augmented Reality Circuit Simulator for Engineering Students. IEEE Xplore Digital Library. doi: 10.1109/ICALT.2018.00097.
• Loayza, kleber; Lucas Bravo, Pedro Pablo & Peláez, Enrique (2017). A centralized control of movements using a collision avoidance algorithm for a swarm of autonomous agents. IEEE Xplore Digital Library. doi: 10.1109/ETCM.2017.8247496.
• Lucas Bravo, Pedro Pablo; Astudillo, Efraín & Peláez, Enrique (2016). Human–Machine Musical Composition in Real-Time Based on Emotions Through a Fuzzy Logic Approach. I Nedjah, Nadia (Red.), Designing with Computational Intelligence. Springer Publishing Company. ISSN 978-3-319-44735-3. doi: 10.1007/978-3-319-44735-3_8.
• Astudillo, Efraín; Lucas Bravo, Pedro Pablo & Peláez, Enrique (2015). Adquisición del Conocimiento en el Proceso de Composición Musical en Base a Técnicas de Inteligencia Artificial. I Gomez, Omar S. (Red.), XI Jornadas Iberoamericanas de Ingenieria de Software e Ingenieria del Conocimiento 2015. Curran Associates, Inc.. ISSN 9781510802087. Vis sammendrag

  https://www.proceedings.com/26032.html

• Lucas Bravo, Pedro Pablo; Astudillo, Efraín & Peláez, Enrique (2015). Human-machine musical composition in real-time based on emotions through a fuzzy logic approach. IEEE Xplore Digital Library. doi: 10.1109/LA-CCI.2015.7435963.

Se alle arbeider i Cristin

• Lucas Bravo, Pedro Pablo (2023). A Human-Agents Music Performance System in an Extended Reality Environment. Vis sammendrag

  This paper proposes a human-machine interactive music system for live performances based on autonomous agents, implemented through immersive extended reality. The interaction between humans and agents is grounded in concepts related to Swarm Intelligence and Multi-Agent systems, which are reflected in a technological platform that involves a 3D physical-virtual solution. This approach requires visual, auditory, haptic, and proprioceptive modalities, making it necessary to integrate technologies capable of providing such a multimodal environment. The prototype of the proposed system is implemented by combining Motion Capture, Spatial Audio, and Mixed Reality technologies. The system is evaluated in terms of objective measurements and tested with users through music improvisation sessions. The results demonstrate that the system is used as intended with respect to multimodal interaction for musical agents. Furthermore, the results validate the novel design and integration of the required technologies presented in this paper.

• Lucas Bravo, Pedro Pablo (2023). Sonic Explorations for 3D Swarmalators. Vis sammendrag

  A swarmalator is a type of self-organizing system where agents or particles interact with each other through local rules. The term "swarmalator" is a combination of "swarm," which refers to a group of agents, and "oscillator," which refers to a system that exhibits periodic behavior. In a swarmalator system, each agent has an internal oscillator that determines its behavior, and the agents interact with their neighbors, affecting each other's oscillations and leading to synchronization. This synchronization can result in collective behaviors such as coordinated motion or pattern formation. Both the phase dynamics and spatial dynamics of the oscillators are coupled in swarmalators. Swarmalators are related to the concept of entrainment, which refers to the synchronization of rhythmic patterns in biological or physical systems. Swarmalator systems can be used to model entrainment and the emergence of collective behavior in natural systems. Sonic and musical properties can be explored using the parameters involved in swarmalators, leading to interesting self-organized compositions and emergent behaviors capable of interacting with humans in a synchronized environment. Some of these sonical mappings will be presented for a 3D version of swarmalators, and future directions for interactive music systems based on synchronized swarms will be discussed.

• Lucas Bravo, Pedro Pablo (2023). Human-Swarm Interactive Music Systems: Design, Algorithms, Technologies, and Evaluation. Vis sammendrag

  This paper presents considerations for developing Human-Swarm Interactive Music Systems (IMS), based on previous work in the field. We discuss design principles, algorithms, technologies, and evaluation methods for creating user-centred Human-Swarm IMSs using architectural approaches, swarm strategies, and levels of embodiment in implementation. Our contribution aims to establish a framework for future applications and research studies on swarm-based music platforms.

Se alle arbeider i Cristin